The black palm hardwood was introduced to the shop this year via a request from one of our @Twitter supporters and customers. Making a Black Palm Nunchaku was an experiment that turned out wonderfully. All hardwoods have certain properties that effect how well they feel and how well they can be used. A good martial arts weapon needs to be strong yet flexible. Hardness is also good but not at the expense of being to ridged which tends to lead to shattering. While the Black palm has great weight, it also has the large pour-us grains and fibers that give it flexibility. The following are the specs for the tree itself. Basically it’s a palm tree from Asia and Africa. (Borassus flabellifer) Common Name(s): Black Palm, Palmyra Palm Scientific Name: Borassus flabellifer Distribution: Tropical Asia and Africa Tree Size: 65-100 ft (20-30 m) tall.
We love the feel and look of these heavy weight nunchaku. You can feel the power contained within when you hold a finished set. That much dense weight is hard to ignore. The hardwood does take some getting used to as far as the cutting and milling. Most hardwoods are difficult in one way or another. For us this one is
As we experiment with this great hardwood the Black Palm Nunchaku will gain some new sizes and options as we progress into the Autumn for 2018. If you are experienced with the nunchaku and want to experiment with some new hardwoods, this Black Palm is a great find. Beware, the Black Palm Nunchaku are very heavy and thus, unforgiving. Take care with fancy tricks and katas until you get used to the weight.
Currently the black palm is offered in rope and chain nunchaku types with some variations of 12 inch and 13.5 inch lengths. The rope colors are customer choice but many have opted to go with the leopard or cheetah colors as they tend to match the natural colors of the hardwood’s grains. The black palm nunchaku, “nunchucks” will be on sale till the end of the month for those interested in trying out a wonderful and unique new nunchaku hardwood. These nunchkau are guaranteed to stand out in the crowd and make a bold statement.
The nunchaku (Japanese: ヌンチャク Hepburn: nunchaku, often “nunchuks“, “chainsticks“, “chuka sticks“ or “karate sticks“ in English) is a traditional Okinawan martial arts weapon consisting of two sticks connected at one end by a short chain or rope. The two sections of the weapon are commonly made out of wood, while the link is a cord or a metal chain. The nunchaku is most widely used in martial arts such as Okinawan kobudō and karate, and is used as a training weapon, since it allows the development of quicker hand movements and improves posture. Modern-day nunchaku can be made from metal, wood, plastic or fibreglass. Toy and replica versions made of polystyrene foam or plastic are also available. Possession of this weapon is illegal in some countries, except for use in professional martial art schools.
The exact origin of nunchaku is unclear. Allegedly adapted by Okinawan farmers from a non-weapon item, it was not a historically popular weapon because it was ineffective against the most widely used weapons of that time, and few historical techniques for its use still survive.
In modern times, nunchaku (Tabak-Toyok) were popularized by actor and martial artist Bruce Lee and his martial arts student Dan Inosanto, who introduced this weapon to the actor. Another popular association in modern times is the fictional character Michelangelo of the Teenage Mutant Ninja Turtles franchise. Organizations including the North American Nunchaku Association, World Amateur Nunchaku Organization, Fédération Internationale de Nunchaku de Combat et Artistique, World Nunchaku Association, and International Techdo Nunchaku Association teach the use of nunchaku as a contact sport.
The origin of the word nunchaku (ヌンチャク) is not known. One theory indicates it was derived from pronunciation of the Chinese characters 双截棍 (a type of traditional Chinese two section staff) in a Southern Fujian dialect of Chinese language (兩節棍 nng-chat-kun, pair(of)-linked-sticks). Another derives from the definition of “nun” as “twin”.
Another name for this weapon is “nûchiku”(ヌウチク).
In the English language, nunchaku are often referred to as “nunchuks”.
The origin of the nunchaku is unclear, although one popular belief is that nunchaku was originally a short South-East Asian flail used to thresh rice or soybeans. This gave rise to the theory that it was originally developed from an Okinawan horse bit (muge), or that it was adapted from a wooden clapper called hyoshiki carried by the village night watch, made of two blocks of wood joined by a cord. The night watch would hit the blocks of wood together to attract people’s attention, then warn them about fires and other dangers.
Some propose that the association of nunchaku and other Okinawan weapons with rebellious peasants is most likely a romantic exaggeration. Martial arts in Okinawa were practiced exclusively by aristocracy (kazoku) and “serving nobles” (shizoku), but were prohibited among commoners (heimin). According to Chinese folklore, nunchaku are a variation of the two section staff.
Ana: the hole on the kontoh of each handle for the himo to pass through—only nunchaku that are connected by himo have an ana.
Himo: the rope which connects the two handles of some nunchaku.
Kusari: the chain which connects the two handles of some nunchaku.
Kontoh: the top of each handle.
Jukon-bu: the upper area of the handle.
Chukon-bu: the center part of the handle.
Kikon-bu: the lower part of the handle.
Kontei: the bottom of the handle.
Formal Styles of Nunchaku Use
The nunchaku is most commonly used in Okinawan kobudō and karate, but it is also used in eskrima (more accurately, the Tabak-Toyok, a similar though distinct Philippine weapon, is used, as opposed to the Okinawan nunchaku), and in Korean hapkido. Its application is different in each style. The traditional Okinawan forms use the sticks primarily to grip and lock. Filipino martial artists use it much the same way they would wield a stick—striking is given precedence. Korean systems combine offensive and defensive moves, so both locks and strikes are taught. Nunchaku is often the first weapon wielded by a student, to teach self-restraint and posture, as the weapon is liable to hit the wielder more than the opponent if not used properly.
The Nunchaku is usually wielded in one hand, but it can also be paired. It can be whirled around, using its hardened handles for blunt force, as well as wrapping its chain around an attacking weapon to immobilize or disarm an opponent. Nunchaku training has been noted[by whom?] to increase hand speed, improve posture, and condition the hands of the practitioner. Therefore, it makes a useful training weapon.
There are some disciplines that combine nunchaku with unarmed techniques:
Mouhébong Taekwondo combines Korean nunchaku with taekwondo.
Nunch-Boxing combines nunchaku with kicking and punching techniques. Nunch-Boxing itself is part of the broader discipline Nenbushi.
Nunchaku en savate combines savate techniques with the nunchaku.
Freestyle nunchaku is a modern style of performance art using nunchaku as a visual tool, rather than as a weapon. With the growing prevalence of the Internet, the availability of nunchaku has greatly increased. In combination with the popularity of other video sharing sites, many people have become interested in learning how to use the weapons for freestyle displays. Freestyle is one discipline of competition held by the World Nunchaku Association. Some modern martial arts teach the use of nunchaku, as it may help students improve their reflexes, hand control, and other skills.
Nunchaku Sporting Associations
Since the 1980s, there have been various international sporting associations that organize the use of nunchaku as a contact sport. Current associations usually hold “semi-contact” fights, where severe strikes are prohibited, as opposed to “contact” fights. “Full-Nunch” matches, on the other hand, are limitation-free on the severity of strikes and knockout is permissible.
North American Nunchaku Association (NANA): Founded in 2003 in California by Sensei Chris Pellitteri, NANA teaches all aspects of the nunchaku, traditional and free-style, single and double.
World Amateur Nunchaku Organization (WANO): Founded by Pascal Verhille in France in 1988.
Fédération Internationale de Nunchaku de Combat et Artistique (FINCA): Founded by Raphaël Schmitz in France in 1992 as a merger of disbanded associations WANO and FFNS (Fédération Française de Nunchaku Sportif). Its current name is Fédération Internationale de Nunchaku, Combat complet et Arts martiaux modernes et affinitaires (FINCA). A fight with FINCA rules lasts two rounds of two minutes. There is no need for changing either the nunchaku branch or the hand before hitting, just a correct recuperation. There are no stops during the fight, except for loss, lifting, or penalties.
World Safety Nunchaku Organization (WSNO) : Safety Nunchaku Grandmaster Soshihan S. Kothandan, India’s Senior most Shito-ryu Karate exponent who got trained under many world level renowned Grand masters in Martial Arts, has gained rich technical expertise in that domain by his passion towards the Art, and he has achieved many milestones in Karate field particularly in Shito-ryu Karate from the past 46 years. He started researching in Safety Nunchaku from 1991 onward. He founded and presented Safety Nunchaku for the first time in front of the general public and Honorable Ministers of Tamil Nadu, India on 28.08.2005. On this day, Safety Nunchaku, Kata, Team Kata, Kumite, Team Kumite, Own style, Stand Target, Moving Target and other new techniques were demonstrated. This research is being continued by means of meeting experts from different parts of the world and sharing their view on Safety Nunchaku as a game and as a Martial art. Finally, 02-08-2015 he had introduced Safety Nunchaku in front of VIP’s, and General Public & released website (www.worldsafetynunchaku.org), demonstrated KATA’s and gave Black Belt to 1st Batch who got training more than two years during his research period. With his vast knowledge, experience and hard work he has introduced and dedicated first time in the Martial Art field “World Standard 16 unique Katas” in the field of Safety Nunchaku. If a person know the proper names of the techniques, correct method of practicing such techniques and most important is where to apply such techniques and what circumstance to apply those techniques then he will do very well in real life under critical situations where his safety is prime concern. By keeping those very important facts in mind, he has framed Katas in Safety Nunchaku in a simple and elegant way where a common people can get into interest to practice and understand the nuances of each techniques.He has also followed some unique methodology to name “World Standard 16 Unique KATAs” in Safety Nunchaku. In general Japanese, when they design a Kata, they gave their names or their master names. But, In Safety Nunchaku, Grandmaster Soshihan S.Kothandan had given names Single chaku “World Standard 16 Unique Katas ” to the patriots-freedom fighters, who made the country to proud globally, People who made proud India in Martial Arts and aid citizens to spread the Art throughout the country and People who supported, encouraged Soshihan in the Karate domain and considered his growth and success as a growth of Martial Art. Safety Nunchaku Grandmaster Soshihan S. Kothandan to insist that fact to future generation to remember those legends in the Name of KATA in near future. Also he categorized the above Unique katas as Origin Katas (4), Fundamental Katas (4) & Superior Katas (8). He also manufactured with foam and foam rubber Safety Nunchaku cheaper, different colors and different sizes to use all ages of public.
World Nunchaku Association (WNA): Founded by Milco Lambrecht in the Netherlands in 1996. WNA uses yellow and black plastic weight-balanced training nunchaku and protective headgear. They have their own belt color system, in which participants earn color stripes on the belt, instead of fully colored belts. One side of the belt is yellow and the other black, so that in a competition, opponents may be distinguished by the visible side of the belt. WNA fight rules correspond to the kumite subsection of Nunchaku do discipline. It is a two-minutes “touch fight,” in which technical abilities are very important. After each scored point, the fight stops and the fighters take back their starting position.
International Techdo Nunchaku Association (ITNA): Founded by Daniel Althaus in Switzerland in 2006. ITNA rules fights last two rounds lasting 2:30. There are no stops during the round, except for loss, lifting, or penalties. Between two strikes, the fighter has to change hand and nunchaku branch before hitting again, except if he blocks.
In a popular myth which has been repeated in book after book, we have been told that the nunchaku was originally a rice flail which was converted by Japanese farmers into a deadly weapon to fight against samurai. This myth, however, is incorrect on all four points: The nunchaku was not a Japanese weapon, it was never used as a rice flail, it was not developed by villagers and it was never used against samurai.
The nunchaku, as we know it, comes from Okinawa (Uchina), today a part of Japan. Okinawa lies almost midway between Taiwan and the Japanese “mainland”, and is the largest island in the Ryukyu (literally “rope”) archipelago, a 650 mile long chain of small islands between southern Japan and Taiwan.
Okinawa today is part of Japan, but the Okinawans are not Japanese and have their own culture and language, although the latter is gradually being replaced by Japanese. The Japanese language does not even contain a word for the nunchaku. When one needs to write “nunchaku” in Japanese he may do it in one of two ways: He may use katakana, the syllabic/phonetic alphabet used in the Japanese language to write foreign and loan words, writing the syllables “nu-n-cha-ku”. Or, instead, he may use the Chinese characters for “two member stick” (or “double part baton”), which is pronounced “shuang jie gun” in Chinese, “nun cha kun” in Okinawan and “so setsu kon” in Japanese.
Many think that the nunchaku has descended from the rice flail (utzu), but this is erroneous. To understand why, imagine that you want to use the nunchaku to thresh rice stalks laying on the ground. In order for the swinging arm of the nunchaku to land flatly, you would have to bend over with your head close to your knees or kneel on the ground. In the former position, every time you swing up the flailing arm you might be struck on your back, while the latter position is not really functional as anyone who has had to kneel on rice can tell you. The actual Okinawan flail, like the European flail, has a handle as long as a man’s height to make the threshing process easier. So the belief that the nunchaku descends from the Okinawan rice flail is definitely baseless. Another reason for this error, besides the obvious resemblance of the flail to the nunchaku, may be the existence of the a combat flail (uchibo), which really is a modified rice flail, among the weapons of Okinawan kobujutsu.
There are a few more rational beliefs about the nunchaku’s prototype. The most credible version (attested to by a number of Japanese masters of kobudo) is that the nunchaku descends from an Okinawan horse bit (muge). Initially the handles of the bit were curved as you can see in the photo. Later it was changed to the straight-handled weapon that we know today.
There also exists versions of the nunchaku’s history which state that it was once a night-watchman’s rattle or a tool for barking banana trees (the best fabric on Okinawa was produced from banana bark). Finally, one additional version, supported by such experts as Miyagi and Ikeda, says that the nunchaku was copied from a Chinese weapon brought to Okinawa by Chinese immigrants. Indirect evidence of this version is the fact that the word used for “nunchaku” is borrowed from the Chinese language.
How did a farmer’s tool evolve into a deadly weapon and who used it? To answer these questions let’s take a tour through Okinawan history.
In 1429 king Sho Hashi, founded the Sho dynasty by uniting three principalities of Okinawa, Hokuzan, Nanzan and Chuzan, creating the Ryukyu kingdom with the city of Shuri as its capitol. Sho Hashi now had a region with a number of united domains, not a single country. Each lord sat in his own castle, governed his fiefdom by himself, had his own army, imposed his own taxes, and had his own code of law and courts. The process of uniting these domains into a united country was completed after about 50 years by one of Sho Hashi’s successors, king Sho Shin who turned the domains into a single country with one government, one army, and a single code of laws, like today’s modern countries.
To reduce the possibility of a revolt in Okinawa, Sho Shin gathered all the princes (aji) in Shuri and declared a prohibition against carrying weapons. Only the king’s army and nobles were allowed to carry weapons and no one but the king could possess considerable amounts of weapons. As a result, the king’s army became the only one on Okinawa.
Muge – Okinawan horse bit, the most probable prototype of nunchaku In 1609 the Ryukyu kingdom which, until then, had existed as an independent country, was occupied by the Japanese princedom of Satzuma and became its vassal until 1879 when, after the Meiji revolution, Okinawa was annexed by Japan. However, during all the years between 1609 and 1879 the Japanese presence on Okinawa was minor; there were only a few dozen samurai for the whole country and most of them lived in the city of Shuri. The Japanese government confirmed Sho Shin’s decree against weapons and also added prohibitions against importing weapons and the possession of firearms. However, the legends about the total disarmament of the Okinawan population are no more than legends. Okinawan nobles were still allowed to carry their swords and members of the royal family and princes were even allowed to have rifles for hunting.
In karate books it is often written that farmers developed Okinawan martial arts, but this does not make any sense. Okinawa was never a rich country and, after the onset of the Japanese occupation in the 17th century, it became poverty-stricken. Farmers had to work from sunrise to sunset just to feed themselves. Villagers just didn’t have the time or the vigor to practice fighting and to develop sophisticated martial arts.
It was the nobles who developed Okinawan martial arts. The aristocrats (kazoku) practiced fighting arts mainly as a pastime, but for “serving nobles” (shizoku) knowledge of the martial arts was a must as many of them served the government as army or police officers, tax collectors, and so on. If we look at the genealogy of any style of Okinawan karate or kobujutsu, we see that the founder of the style is the scion of a noble family, or that he learned martial arts from a noble.
“Sorry,” one who is familiar with Okinawan kobujutsu weaponry may say at this point, “but if the martial arts of Okinawa were really developed by nobles who were allowed to carry swords and spears, why did they develop fighting techniques with sickle, oar, hoe and other farmer’s and fishermen’s tools?” The author of this text also asked himself this question and then he asked experts in Okinawan history. Here is the answer:
Master of kobujutsu Ryusho Sakagami breaks beton block by nunchaku “Serving nobles” on Okinawa, as you may guess from their title, served the government as military and police officers or as state officials. They protected and kept “law and order” and received wages from the king. They had no other source of income as the law prohibited them from any other occupation. At some point in time, this wage became insufficient to feed their families and many of them were reduced to beggary. In 1724, in order to solve this problem, the nobles were granted permission to become merchants, farmers, or craftsmen. Many of them left the state service and had to move into villages with their families just to feed themselves. After a century and a half, following the Meiji revolution, Okinawan nobles (as well as Japanese samurai) had their privileges revoked, including the right to carry swords, and they were deprived of their wages. If you read “Gone with the Wind” you will surely remember the story of the aristocrats of yesterday who had to become shopkeepers and bakers to survive. And so it happened to the aristocrats on Okinawa. Members of the royal family worked as teamsters and night watchmen. Princes became hewers of wood and sellers of pigs in the marketplace. Many of the nobility moved into villages. The farmers, of course, weren’t happy to meet their new neighbors and they tried to drive them off the villages’ lands. These efforts often resulted in fighting. The number of thieves and robbers also increased in the country where food was a valuable. As a result, “farmer-princes” had to refresh their fighting skills.
The nobility, of course, would have preferred to fight with their swords rather than with their bare hands, but they were prohibited from carrying weapons. But what does a warrior do when he can’t use his weapons? He arms himself with anything in reach. Shaolin monks developed fighting techniques with slippers and baskets; ninjas learned to kill their opponents with chopsticks. And Okinawan nobles, deprived of their arms, also developed weapons from any improvised means they could.
Staffs and sticks of different lengths (the six foot rokushakubo, four foot jo, three foot hanbo, etc.) always were used as auxiliary weapons, so they were adopted first. Sickles (kama), oars (eku), hoes (kuwa), gaffs (nunti-bo), millstone handles (tonfa) and other objects that could effectively be used in a fight were also not forgotten. Two sticks connected by rope caught someone’s eye. A warrior swung them, pictured himself bashing an opponents head – and nunchaku was born.
The nunchaku wasn’t a very popular weapon. We deduce this because no traditional nunchaku kata is known today. By contrast, we currently know more than a dozen traditional staff katas. The lack of popularity for the nunchaku probably came from its low effectiveness when used against the staff or other long-reach weapons, not to mention the sword. On the other hand, one who was skilled in nunchaku usage was easily able to defeat a few opponents who were armed with knives or who were unarmed. The nunchaku was also an easy to conceal weapon, suitable for carrying everyday. So, in Okinawa, the nunchaku was mainly used as a tool for street self-defense against hooligans and robbers.
Famous kobujutsu master Shinken Taira preforms nunchaku kata Weapons similar to the nunchaku exist in many martial arts around the world. To mention only a few of the best know ones: Chinese erjiegun; Philippine tabak-toyok; Korean ssangjulbong; and European combat flails. All these weapons are built like the nunchaku. Some of these are simply imported nunchaku from kobudo. For example, the Philippine chako and tabak-toyok are just the Okinawan nunchaku made from the local Philippine wood. Other martial arts have their own “stick-and-chain” weapons, like the Shaolin sanjiegun or the European combat flail.
The nunchaku is so popular today, that almost any new martial art incorporates this weapon into its training. Because of its simplicity of manufacture, its high effectiveness in street combat, and its soaring popularity due to Bruce Lee’s films, the nunchaku has had a new birth in our time. Today the nunchaku is one of the most popular weapons after the knife and the baton. But I will tell you more about the nunchaku in our day on the “Nunchaku Today” page.
Given the choice wouldn’t you rather buy American Handmade Nunchaku
USA Nunchaku is not a warehouse in China, or a large manufacturing factory. USA Nunchaku Co. is a small American company making handmade nunchaku from 100% American materials in our small workshop. We make handmade nunchaku in different shapes and sizes in small batches, each featuring a selection of various hardwoods. While they do cost a bit more than a $9 Chinese “chuck in a bag”, our nunchaku are Handmade and each one of a kind.
Stop in and check out the store, your perfect nunchaku is waiting for a spin.
We have been making nunchaku by hand for 20 years. In that time the number one request has always been handmade u Swivel chain linked nunchaku. To do it right, we had to go back in time and skip the cheap imported barely metal versions of this classic martial arts weapon. We are proud to present our Tapered Octagon U Swivel Chain linked Nunchaku. Just like our woods, the metal and all the parts are 100% American made. It’s tried and true design that gives smooth flow to the nunchaku. We think they are the best chain nunchaku made today and we invite you check them out. We have a number of different models in play at the moment. The cocobolo’s are all one of a kind and will be re listed as they made. We are giving the option to change the amount of chain links used and have a number of different hardwoods and lengths available.
Diameter: Tapered 1 1/8″ to 1″
U- Swivel & Chain: High carbon steel 375 lb test 100% American made ( 5 links plus swivel spanning 4.5″ from base to base)
While most martial arts stores and warehouse have lots of stuff, unlike USA Nunchaku Co, they only have 12″ nunchaku which raises the question, “Since I have options, which nunchaku is right for me?”
The 12″ nunchaku is the standard size. The tapered octagon tied with rope it is the most common nunchaku found is martial arts of karate and kung fu styles schools which teach it. Some schools use plastic and foam nunchaku as well which are tied together with plastic chain. While many schools use them for practice, they are the worst example of what a real nunchaku is. The next kind of nunchaku is fastened with chain. These are designed more for sport and swinging tricks than a martial arts form, but both can be used either way.
If you are looking for nunchaku for a smaller frame, shorter lengths can work very well as well as the thinner 1″ models which are better for smaller grips. Sometimes experimenting with nunchaku lengths and rope and chain lengths is the best way to get a nunchaku that works for your size. The most important thing with nunchaku is having it feel comfortable while you practice.
Ropes vs Chain
The chain links swing and feel very different from the rope ties, but the basic rule is that you need more chain than rope for the same swinging feel. Rope is better for your kada and form work as it is best with joint locks and using the nunchaku leverage to inflict holds and breaks. Yes it’s true, there are other uses beyond swinging them into things! The chains are far better to use when trying out tricks and spins that wrap around the body. They do require more length than the rope, and if you put too much length of chain between them you have to shorten up the nunchaku which then moves us into the speed chuck. The speed chuck is basically a shorter nunchaku handle, with more chain. These are harder to control, but tons of fun.
Wood Types and Weight
If you are new to the nunchaku, stay with lighter woods. They are much more forgiving and easier on the mishaps. If you are familiar with them, choose the heavy ones only if you do not drop them all the time. Unlike a piece of plastic or foam, if you crack wooden nunchaku into hard surfaces, you may damage them, or the hard surface or both. It’s basic physics. The more weight and speed, the more impact. The lighter woods are faster and spin with more speed but do not pack the punch and damage of the heavier nunchaku. This is why they are the best for the student to practice with. If you want to see what will happen when you swing your nunchaku into a tree or rock please understand that you would be setting yourself up for a broken nunchaku.
We recommend practice on grass or carpet. Do not purchase with the impression that cocobolo or other hardwoods means “indestructible” If anything, it’s the opposite. Like all other martial arts weapons, great care should be taken when using them. They should only ever be used under the supervision of a martial arts instructor in a class setting.
Well it took a while to complete, but the first batch of handmade nunchaku for fall 2017 has been added to the online store. We were sold out for some time and to keep that from happening this season we have already started another run of red oak to be ready next week. With the second batch, we will be adding a martial arts school pack which will consist of sets of 10 or 20 red oak nunchaku strung in white or black and sold at a discounted price for schools and teachers of martial arts. Instructors and schools can sign up here to get their discount codes . We hope to have this product and feature added to the site the weekend of September 24th.
Website Updated for Fall
We have updated our web store to handle more volume and added new payment credit card options. We were experiencing an issue with new site plugins preventing customers from entering their credit cards to check out. This has been fixed and tested and we are happy to announce the checkout is working perfectly.
Cocobolo in stock
We have a number of cocobolo nunchaku in stock. we are also featuring some new smaller and larger sizes. These will not be around for long, so make sure to stop by soon and check them out.
This article teaches the 2 string method on how to string nunchaku. As we sell more and more of our nunchaku we have found that many martial artist do not know how to fix and or re-tie their nunchaku.
Let us first state some facts before getting into how to tie nunchaku.. Just like your martial arts moves, there are many ways to arrive at the end. In other words, there is no one right way to tie them. A far as how to string nunchaku, some ways are better than others and some ways of stringing nunchaku require the correct rope and or nunchaku. Many methods you may find are partly for show while others are for function. The one thing that we have found is that there is no information on the internet that shows how to tie them well. This brings us to this lesson of nunchaku stringing. The method below for tying nunchaku is the “two rope” method taught to me by my instructors many years ago. Our style is Northern Boxing Style Kung fu requiring a short 3 inch rope length between the nunchaku. You will find that different martial arts styles require other lengths depending on the applications. Rope lengths will always wind up being a personal preference for each user.
The secret is in the bell wire tool. It needs to be thin enough to fit through the last stage but thick enough to last through the process. Almost any hardware store will sell this in small spools. All the other tools you can find around the house. The photos below show how to make your tool which can be used a number of times.
The Stringing Process
Next is the stringing of the nunchaku. It is important to have a flat table that you can lay the nunchaku out on. This will help keep things organized as you go through the process.
The last section: How to String Nunchaku
At this point you should have exactly what is pictured above. If you don’t, you should start over. The beauty of this method is that you have not cut anything yet, so using the same string can be done. You want to make sure you have even lengths of rope at this point and that you have a bout 1 1/2″ of rope between the two nunchaku with no slack or kinks.
At this point you are ready to size and cut your rope. Where you put the knot will determine how much rope you have between the nunchaku.
That concludes the stringing process. Only forty some odd steps. If you are asking yourself “This doesn’t seem like fun”, it’s not. This is something we do as a bonus for our customers. As we stated before their are other ways to string nunchaku. we have found this is the easiest, safest and most practical way to do the stringing. Keep in mind, the thicker the rope, the harder each step is to complete. If the rope is too thick, the last steps can be very challenging.
Thank you for taking the time to read our stringing guide and don’t forget to stop by the shop as we are always releasing new nunchaku made from hardwoods, all 100% American.
If an item becomes Back ordered If you need an item for a special event or have any questions before ordering please feel free to use our contact page to get an estimate on shipping time or answer any questions.
Since we make all our nunchaku by hand, back ordered for us means that the wood has not been cut yet. This normally adds from 2-5 days to the time before an item can ship out. For more information about shipping please see our shipping page for details.
12 inch Sapele Nunchaku
Sapele Nunchaku 12″ straight Octagon Approx: 10.5 oz 650 para-cord, your color choice Made in USA
This pair was a special cut fro the master block of cocobolo we used. The oils have set out the great colors in the wood grain. These are not stained. The lighter pulp wood looks blonde next to the fiery red in the dark cocobolo grains. I have number of other cocobolo in the store now but this one we are listing alone in the store. This is why I’ve decided to call it Blonde Cocobolo Nunchaku.
Coming up on the next round we will be cutting blood wood and will be featuring the return of the Lignum Vitae (ironwood)nunchaku.
Lignum Vitae (Genuine) is an exotic wood native to the tropical regions of the Americas. It is a very hard, dense, and heavy wood, with a fine texture. The heartwood color ranges from a dark greenish brown to black. Lignum Vitae is excellent for wood turning, as well as being used for bearings, bushings, some marine applications, and mallet heads. It has an oily to waxy character and takes a high polish.
I’ve been working away at getting the new stock ready for this coming weekend. So far everything is a go. This time we will have Red Oak, Cocobolo, African Blackwood and Locust. The weather here has been horrible and the wood shop has been cold but things are moving along well. All of the blanks are being shaped and the toxic stuff has been cut. Most people don’t know that the cocobolo dust is very toxic. We have to wear masks when cutting it as it becomes hard to breath and the air literally turns maroon. In the end it is well worth the time put into them as the cocobolo tend to feature some of the most beautiful wood grains. This time I have a few pieces that feature the pulp wood from the cocobolo which is a lighter color and makes for the wonderful finish mixed with the dark red colors.
African Blackwood is our newest exotic wood type. It has taken the place of the ebony which has become impossible to find in sizes we can use. It has a dark to pitch black color and is very dense and heavy. The grain is very fine much like the ironwood we also use. This makes for an overall dense heavy nunchaku which comes alive when it’s weight gets put into motion.
Stop back on Sunday morning to usanunchaku.com and check out the new arrivals.